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- <text id=90TT2083>
- <title>
- Aug. 06, 1990: Brit Kitsch
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1990
- Aug. 06, 1990 Just Who Is David Souter?
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- BOOKS, Page 74
- Brit Kitsch
- </hdr>
- <body>
- <qt>
- <l>BLOOD, CLASS, AND NOSTALGIA</l>
- <l>by Christopher Hitchens</l>
- <l>Farrar, Straus & Giroux; 398 pages; $22.95</l>
- </qt>
- <qt>
- <l>Take up the White Man's burden--</l>
- <l>Send forth the best ye breed--</l>
- <l>Go bind your sons to exile</l>
- <l>To serve your captives' need.</l>
- </qt>
- <p> So begins one of Rudyard Kipling's most famous poems, which
- reads as if it were written for the British raj. In fact, this
- hortatory verse was addressed to Teddy Roosevelt with a clear
- message: having won the Spanish-American War of 1898, the U.S.
- should claim the Philippines as a colony. Thus Kipling, as
- author Christopher Hitchens dryly observes, was "John the
- Baptist to the age of American empire."
- </p>
- <p> The origin of Kipling's ode is only one of many quaint facts
- in this rambling, opinionated history of the "special
- relationship" between Britain and the U.S. An English
- journalist of hip leftist views, Hitchens was inspired by the
- question he asked himself one night outside a Los Angeles
- hotel, where Prince Philip was to bestow the Winston Churchill
- Award upon Ronald Reagan. Why is it, Hitchens wondered, that
- Englishness looms so large in the American imagination,
- particularly among the rich?
- </p>
- <p> His answer, basically, is that as Britain's power waned, its
- ruling elite increasingly saw its country's link with the U.S.
- as akin to that between ancient Greece and Rome. This
- teacher-student thesis, with its implication that Washington
- should take on London's global role, found attentive ears
- within an Anglophiliac American establishment. Hitchens
- contends that Britain guilefully dominated the relationship by
- appealing to ties of blood, class, nostalgia and a common
- tongue.
- </p>
- <p> Hitchens has a wonderful eye for zany manifestations of Brit
- kitsch. In 1890, for example, some idealistic Shakespeareans
- decided to release in New York City's Central Park every bird
- mentioned by the bard--more than 50 species in all--that
- was not already native to the region. Instead of filling the
- city's air with the song of larks and nightingales, the
- experiment introduced to America the common European starling,
- a dirty, prolific pest that soon ousted New York's native
- bluebirds from their nesting places. If there is a moral here,
- Hitchens refrains from drawing it.
- </p>
- <p>By John Elson.
- </p>
-
- </body>
- </article>
- </text>
-
-